It is argued that the music industry creates the market. It has a lot of control over what they sell and how to make a profit. Hence, the industry will only promote a music artist which is consumer friendly. Once a band becomes a success and of popular demand, their image becomes liked. Then the industry will take a new band and formulate them around those who are of success (already liked), therefore several bands at a time will sound and be very similar. For instance boy bands, part of the music industry produced a band and when it was discovered that it was a hit they all followed suit. These industries are in completion with other industries so need to create diversity against their rivals and therefore aim their music and genres for a certain market. However there is in favour that the audience create the market, as music is in their best interest and they will not busy a record that they do not want. So therefore it is possible for a music industry to flop as it is the consumer who decides what is popular, and they create the market.
Thursday, 22 May 2008
Week 11 - Does the music industry create the market?
It is argued that the music industry creates the market. It has a lot of control over what they sell and how to make a profit. Hence, the industry will only promote a music artist which is consumer friendly. Once a band becomes a success and of popular demand, their image becomes liked. Then the industry will take a new band and formulate them around those who are of success (already liked), therefore several bands at a time will sound and be very similar. For instance boy bands, part of the music industry produced a band and when it was discovered that it was a hit they all followed suit. These industries are in completion with other industries so need to create diversity against their rivals and therefore aim their music and genres for a certain market. However there is in favour that the audience create the market, as music is in their best interest and they will not busy a record that they do not want. So therefore it is possible for a music industry to flop as it is the consumer who decides what is popular, and they create the market.
Thursday, 8 May 2008
Week 10 - Review of Mixmag in the language style it is written in
Mixmag has about 37 adverts in a monthly mag which holds roughly about 154 pages. The majority of the ads are music based, and never is seen an advert in Mixmag which is advertising a product such as a car, alcoholic drink, or clothing brand much like other mags do. The type that you’ll find are up and coming festival ads, clubs across the UK, club events, compilation albums, and singles. Visibly Mixmag have a strict advertising policy going on. A lot of the content has interviews with artists and DJs, big talks on raves, gigs and festivals in hand, even a section consisting of several pages long about fashion. The mag has info on all the top dance and trance clubs across London town with their address and contact details to get hold of them. In all, Mixmag is for the hardcore dance fan, or even someone who is in the business, whether it be DJing or promotions. It doesn’t dispute the fact that girls cannot grab this mag but primarily it seems to be situated for an audience of males 25 plus, seeing as a percentage of more males take part in and have more of an interest in this genre of music. To improve Mixmag more can be done on the music that is more commercial and known to an amateur dance fan as well as having that of the underground scene, then those will not feel daunted to pick up such a big mag and read it.
Wednesday, 7 May 2008
Week 9 - Are blackness and whiteness useful concepts in the study of popular music?
“Pop music has always depended upon the interaction between white and black traditions.” (Hatch and Millward, 1987)”
Blackness and whiteness can be seen as a way to define the origins of specific types of music. Few genres of music can withhold black and white tendencies, while some genres are more commonly known as owning either white or black tendencies. It has been made even more difficult to determine whether a genre is black or white based seeing as many songs have be written by one race but performed by another, i.e. Little Junior Parker first sung Mystery Train being a black artist, while Elvis Presley who was white took the song in later years for himself and it soon appealed to the masses. Thus rock actually being associated with black artists before hand. As countries are becoming multicultural and immigration increasing, popular music is becoming very culturally diverse, despite stereotypes of what music is black (i.e. Hip Hop) and what is white (i.e. Classical) still sticking in societies frameworks. Whatever race, anyone can perform a musical genre of their taste, and is done so (i.e. Black lead singer in Indie Punk band ‘Bloc Party’) which means styles of blackness and whiteness seem to be integrating.
Blackness and whiteness can be seen as a way to define the origins of specific types of music. Few genres of music can withhold black and white tendencies, while some genres are more commonly known as owning either white or black tendencies. It has been made even more difficult to determine whether a genre is black or white based seeing as many songs have be written by one race but performed by another, i.e. Little Junior Parker first sung Mystery Train being a black artist, while Elvis Presley who was white took the song in later years for himself and it soon appealed to the masses. Thus rock actually being associated with black artists before hand. As countries are becoming multicultural and immigration increasing, popular music is becoming very culturally diverse, despite stereotypes of what music is black (i.e. Hip Hop) and what is white (i.e. Classical) still sticking in societies frameworks. Whatever race, anyone can perform a musical genre of their taste, and is done so (i.e. Black lead singer in Indie Punk band ‘Bloc Party’) which means styles of blackness and whiteness seem to be integrating.
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